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Der Kinderreigen

舞蹈八大藝術之一,是於三度空間中以身體為語言作「心智交流」現象之人體的運動表達藝術,一般有音樂伴奏,以有節奏的動作為主要表現手段的藝術形式。它一般藉助音樂,也藉助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

特色條目

A bboy performing in a cipher for a crowd in Turkey.
Hip Hop dance refers to dance styles primarily danced to hip hop music or that have evolved as a part of the hip hop culture. This includes a wide range of styles such as breaking, popping, locking, and krumping. Breaking, locking, and popping were developed in the 1970s by Black and Latino Americans. Krumping followed in the 1990s and was developed by Black Americans in Compton, CA.

What separates hip hop dance from other forms of dance is that it is often improvisational (freestyle) in nature and hip hop dancers frequently engage in battles—formal or informal one on one dance competitions. Freestyle sessions and battles are usually performed in a cipher, a circular dance space which forms naturally once the dancing begins. It was DJ Afrika Bambaataa that outlined the five pillars of hip hop culture including breaking as one of them (along with rapping, DJing, beatboxing, and graffiti).

The dance industry responded to hip hop dance by creating a more commercial version of it. This "studio hip hop", sometimes called new style is the kind of hip hop dancing seen in most rap and R&B music videos. Technically speaking, hip hop dance (new style hip hop that is) is characterized as hard hitting. The feet are grounded, the chest is down, and the body is kept loose so that a dancer can easily alternate between hitting the beat or riding through the beat. This is in contrast to ballet or ballroom dancing where the chest is upright and the body is stiff. In addition, new style hip hop is very rhythmic and there's a lot of emphasis placed on musicality—how sensitive your movements are to the music.

特色圖片

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提供者:Jane Avril by Toulouse-Lautrec

The can-can (also spelled cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.

特色傳記

Matt Barber is a dancer, teacher, author, columnist, and dance coach in the ballroom dance world.

Matt Barber first encountered ballroom dancing as choreographed routines onstage for musicals and began ballroom dance lessons in high school. At eighteen years of age, Matt started training to become a ballroom dance instructor with National Dance Clubs as a side job in college; he went on to teach in the independent world, for Arthur Murray International, and for Fred Astaire Dance Studios. Concurrently, Matt graduated from the American Musical and Dramatic Academy in Manhattan and acquired an SB from Fordham University, his MS, and his business management and leadership training from Notre Dame’s Mendoza College of Business. Matt Barber's books on ballroom dancing may change the way ballroom studios conduct business.

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